curatorial projects > bodies of evidence

The work in the center is Ulysses, 1994 by Alison Saar; on the left is a pop-up laser-cut book by Kara Walker, Freedom–A Fable: A Curious Interpretation of the Wit of a Negro in Troubled Times, 1997; and on the right are a set of five stunning photogravures on gampi paper by Milagros de la Torres, Sin Titulo (Untitled), 1992.

Bodies of Evidence exhibition
Bodies of Evidence exhibition
2005