My Work As An Educator
Teaching Philosophy
The boundaries between my teaching and creative practice are fairly thin. As a highly engaged instructor, I bring my humanity into the classroom by being present. I regard the individuality of each student, and resist urges to engage in inauthentic performances of authority. I acknowledge the body in the classroom as well as the mind, and offer meaningful feedback, modeling a professional expectations towards one’s work I have found to be valued by my students. I am not always an easy teacher in that I tend to push against students’ tendencies to take the easy way out when something they imagine is not coming together as they would like. While supportive, they can count on me to be honest about what I see in their work, to ask hard questions, and to steer them in the direction they say they want to go. I am training them to be leaders in their field and want students to be prepared for the rigor of 21st-century challenges, to constantly reimagine what they are capable of, be nimble, and to consistently reset the expectations they have for themselves.
My Top 5 books as Reference for Decolonizing Curriculum
Teaching to Transgress: Education as a Practice of Freedom | bell hooks
Pedagogy of the Oppressed | Paulo Freire
Making & Being | Susan Jahoda and Caroline Woolard / BFAMFAPHD.org
A Third University is Possible | La Paperson (K. Wayne Yang)
The Undercommons: Fugitive Planning & Black Study | Stefano Harney & Fred Moten
Selection of Courses Taught
Studio
Making I & II
Sculpture I
Foundation Skills: InDesign
Foundation Skills: Laser Cutter
Advanced Typography
Art History & Theory
African American Visual Theory & Art Criticism
Art as Discourse
Black Visual Culture
Graduate Studies
Graduate Critique
Art as Discourse
Independent Projects
Proposed Courses
Data Portraits: Black Chicago
This course takes its inspiration from the publication: W. E. B. Du Bois's Data Portraits: Visualizing Black America. It focuses on data visualizations the sociologist and civil rights activist W. E. B. DuBois (1868-1963), produced with students and alumni from Atlanta University that were presented at the 1900 Paris Exposition. This course would engage interdisciplinary students from various departments in a statistical study of contemporary Chicago using DuBois's general framework to analyze and compare the condition of 19th-century Black America to the Black Chicago of today.
Conceived with:
Data Portrait: Latinx Chicago
Data Portrait: Queer Chicago
Data Portrait: Immigrant Chicago
Data Portrait: Accessible Chicago